HIN ART RESIDENCY

Meet Arundhati Kartik (b. India), a Singapore-based artist whose practice explores collective phenomenological experiences through the depiction of light. She will join us in Penang as our #artistHINresidence , culminating in an open studio at the Hin Residency Space starting at the end of the week.

Using the window as a poetic object, she explores notions of human interconnectivity, longing and contemplation through different iterations of windows and perspectives. Primarily working with drawings, light and projected media to depict subtlety and reflections, she transforms personal experiences into shared ones, with a focus on how one responds to and connects with spaces and the passage of time.

Arundhati is a recent BA (Hons) Fine Arts graduate from @lasallesingapore . She has exhibited and curated various shows under her institution as well as Alliance Française de Singapour. She is a recipient of the Mahindra Search for Talent Scholarship, 2020-21 and The LASALLE Scholarship 2024-25. More recently, she was nominated for the International TAKIFUJI Art Award 2024, and is a recipient of the Winston Oh Travelogue Award, 2025.

Since 1999, the Winston Oh Travelogue Award has awarded graduating students from the various Fine Arts programmes at LASALLE College of the Arts, Singapore the opportunity to explore and pursue their practice across different South-east Asian countries, allowing for the recipients to experience the different perspectives and paradigm shifts that different cultures can offer. Taking its inspiration from Mary Anne Radmacher quote, “Having seen the moon shine on the other side of the world: The Winston Oh Travelogue Award 2025” explores the similarities and connections that we form across borders, albeit the differences. Coordinated by Adeline Kueh, Senior Lecturer at LASALLE-UAS, the award supports recipients in showcasing their works, findings and experience in September.

Meet 𝗥𝗲𝗺𝘆 𝗟𝗼𝘄, a Penang-born, Sydney-based author and educator, as part of an initiative between The University of Sydney and Hin Bus Depot. From April 14 to 28, Remy will be spending two weeks in Penang as our Creative in Residence, engaging with the local community through a series of conversations and programmes.

Remy’s multidisciplinary work draws on history, neuroscience, and creative as well as contemplative practices from different traditions to enhance our responsiveness to others and the world we inhabit. He has designed and facilitated workshops for Diversity Arts Australia (2019–2020), the Sydney Theatre Company (2021–2022), and the Biennale of Sydney (with Keg De Souza, 2022). He is currently Senior Lecturer at the Sydney School of Education and Social Work, University of Sydney. His current project explores how imagination is exercised to shape lives and worlds — for better or worse.

𝗦𝗶𝗹𝗮𝘀 𝗢𝗼 (b. 1996, Malaysia) is an alumnus of The One Academy of Communication and Design, Malaysia. While specialising in pen drawing and sculpture-making, he is a multidisciplinary artist, with a particular interest in the integration of philosophy, psyche and the human condition. Silas also makes a living by modelling for high-fashion editorials and runways, offering a unique perspective that places him directly in the whirlwind of contemporary image-making culture as well as fashion and textiles. This dual vantage point infuses his artistic endeavours with a worldly resonance.

His artistic practice primarily explores the psyche through its intersection and ties between the physical and the artificial. His artwork aims to share the transformative power of the body and the mind, and interrogate concepts of body image, religious spirituality and emotional disfunction through dysmorphic bodies and raw, brutalist forms.

In 2020, he had his first solo exhibition, titled Way Out, in collaboration with SNAP in Kuala Lumpur. Since then, Silas has been showcased in galleries across London, Singapore and Malaysia. Recent exhibitions include IMMERSIO (group, 2024) at GMBB, Kuala Lumpur, Ways of Seeing (group, 2024) at Cult Gallery, Kuala Lumpur and Duality (group, 2023) at Hin Bus Depot, Penang and Zhan Art Space, Kuala Lumpur. Currently, Silas is selected to undertake a three-month residency at Hin Bus Depot from Dec 2024 to Feb 2025.

We are pleased to introduce Stephan E. Perez ( @ste_e_p ). After completing his studies in Viola, Composition, and Electronic Music in Austria, Stephan taught himself programming and began creating digital pieces with interactive audiovisuals. His time in Tokyo exposed him to the local performance art scene, leading him to work extensively with video and performance art. He also became a member of the performance art platform, Ham Tamago Sandwich. Following his experience with the installation and concert visuals group, Cosmic Lab, in Osaka, Stephan left Japan and has since been performing at various events across Southeast Asia.

Stephan’s eight years in Japan marked a significant transition from being solely a musician to exploring other artistic realms. This shift, combined with his experiences as a long-term foreign resident, has led him to reflect on the ways we categorize people and art.

Dhavinder Singh, born in 1983 and based in Kuala Lumpur, is an artist whose art practice centers on the repurposing and reconfiguring of materials through various mediums, including paintings, animation, assemblage, and site-specific installations. Trained at the Malaysian Institute of Art (MIA) and later at the Cardiff School of Art & Design in Fine Art, he consistently pushes the boundaries of his practice and explores diverse artistic mediums. Describing his creative process as rooted in intuition, he once expressed, "Emotionally, my creative process is guided by intuition. Through my body of work, I aim to express and convey a visual metaphor that reflects my response to specific spaces and subject matter."

During his residency at Hin Bus Depot from August to October 2023, Dhavinder presented the exhibition "All Day I Dream About Chairs" (September 16-October 8, 2023). This exhibition emerged from his artistic journey in Penang's vibrant heart, weaving dreams and memories into a profound tapestry of spaces. At its core, the exhibition explores the theme of dreams, featuring seven evocative paintings, each set against a dreamlike black backdrop. Each canvas narrates a unique tale, with chairs recurring as a poignant symbol that connects memory and emotion.

Kipras Petrulis, also known as Trexus was borned 1992 in Lithuania. From a young age, he was fascinated by graffiti more than he was interested in fine arts. He would rather skip school and spend the night in a police station than sit in a classroom and paint a chair for four hours. Growing up he started to notice that he became more and more attracted to canvases rather than walls and after discovering that his long dead grandfather and father were artists, he decided to transport the wisdom he learned in the streets onto canvases and into gallery showrooms. As an emerging artist, he already held solo shows in Vilnius (Lithuania), Berlin (Germany), Penang (Malaysia) and also left some murals in Paris (France), London, Manchester (UK) and Nowy Sacz (Poland).

During his residency at Hin Bus Depot, he presented two exhibitions 'Between The Lines (2020)' and 'Recycle or Get Recycled (2023)'.

Born in Jakarta and lived there for thirteen years, Sarita's family moved to Kuala Lumpur and she ended up staying there for about 7 years. After graduating from Middlesex University with a degree in illustration in 2009, Sarita eventually came back to Indonesia.

Working with weaving is something that Sarita has been interested deeply in for the past 5 years. It is exciting for Sarita to work with a medium that is very close to the body: fibre. It being one of the oldest crafts in the world, there are plenty of explorations she feels she can do with weaving.

We hosted Indonesian artist Sarita Ibnoe from April to June 2019. She had an open studio session during REKA (10-19 May 2019) where she shared her works on exploring traditional weaving techniques into artwork. She showcased her weaving final products alongside with her work in progress intending to show how the concept of weaving is being explored, rather than just a wearable product, but also into a piece of art that tells a story and as a representation of her days in Penang. She did 2 kinds of live weaving: on the existing window grill of Hin Bus Depot and another one with the loom.

Hin Art Residency run by Hin Bus Depot collaborated with Obscura Festival in hosting two artists from Germany - Joerg Brueggemann and Tobias Kruse; from January 2019 until 22 of Feb 2019.

Jöerg Brüggeman is a freelance photographer based in Berlin and part of OSTKREUZ – Photographers’ Agency. His works mostly reflects the concept of globalization; he is always interested in finding that undiscovered spot of a location, in photographing the outsider as well as the daily life of a place. Our next artist; Tobias Kruse is a photographer who works worldwide on personal artistic projects as well as on assignments for magazines, institutions and independents. He joined the photographer's agency Ostkreuz in March 2011. Since 2017 Tobias teaches photography at Ostkreuzschule für Fotografie.

The Obscura Festival of Photography's Artist in Residence programme is a very significant programme for Penang. It is a programme to cultivate and sustain this cultural practise as it enables photographers to try and understand Penang and manage to create visual documents during the period. It has already been the fourth year collaborating between Obscura Festival and Hin Bus Depot, and the first for the residency programme. This programme is supported by Goethe-Institut Malaysia and @Cat Penang.

The Hin Bus Depot Artist Residency for dance in collaboration with JinnD Productions, supported by Cheong Fatt Tze Mansion and Carbon Artist Studio, presented a contemporary dance piece titled '守 SHOU' that drew inspiration from the stories of traditional artisans in the Butterworth area. This work was in progress and was intended to be performed as a final piece during the Butterworth Festival in November 2018.

The dancers involved in this project included: Lau Beh Chin (Jinn), Leo Yap, Matt Tan and Nurulakmal Abdul Wahid.